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This just came through and I couldn't resist putting it up. The Fox Network is developing a drama called Bitches, "about a quartet of female friends in New York who are werewolves." The show has received a script commitment and its from a guy names Michael Dougherty whose credits include the screenplay of X Men 2, Superman Returns, Trick r Treat and the upcoming I, Lucifer.

WTF? I find the show's title incredibly offensive. Why can they get away with this crap?

Update: To me there is a difference between Bitch Magazine, a magazine created by feminist women to talk back or bitch about how pop culture treats women, and a TV show called Bitches which to me comes off as anti-woman. It just doesn't pass my smell test.

I'm a big fan of Jackie Hoffman. I've seen her holiday show that runs at Joe's Pub in NYC a couple of times and I literally peed in my pants. I know that's gross, but she is that funny. While she may not be the biggest star (and she should be) you may recognize her from Kissing Jessica Stein or have seen her on Broadway in Hairspray and Xanadu.

She's taken some of the material from her recent shows and put them on a hysterically funny CD which is out now. Purchase her CD here. She can be seen at Joe's Pub in NYC on December 22 and January 5. Info here.

She answered some questions for Women & Hollywood:

Women & Hollywood: You're back at Joe's Pub in NYC for another edition of your anti-holiday show. What is it about the holidays that brings out the worst in you?

Jackie Hoffman: The hypocritical obsession with all things warm and fluffy and children. The music that is shoved down my throat everywhere. If you've seen my show, I think you'd say that it brings out the best in me.

W&H: Your comedy is hysterical and bitter. Where does that come from?

JH: Right? My theory is all the taunting at the playground, and growing up the overweight girl with the big nose and crossed eyes.

W&H: You've been on Broadway in Hairspray and Xanadu. Any more shows on the horizon?

JH: Just mine as far as I know. That horizon is dying more by the minute

W&H: On your CD you make fun of your health issues. Tell us why you make fun of your fibroid and scare with cancer.

Because the irony is just too perfect. Someone who has the courage to speak out about not worshipping children, and then getting a gigantic tumor that resembled a pregnancy, and being rendered infertile. I couldn't not talk about it.

W&H: You love to make fun of the Jews without making Jews feel defensive (which is hard). Why are the Jews such fodder for your comedy?

JH: Thank you. I just do what writers do, go with what I know. I was raised by and with very funny Jews. And some of the attitudes and characters that I've come across in my life are too good to pass up.

W&H: What's next for you?

JH: I am taking my act on the road to different cities to promote this album. There is nothing like it out there, and I'm very proud of that.

I spent both Saturday and Sunday morning fixated on watching the English series The Commander (which was recommended by the Flickfilosopher several months ago.) The series totally rocks. The show debuted on ITV in Britain in 2003 starring Amanda Burton as Commander Clare Blake. Super awesome crime writer Lynda La Plante (who specializes in writing about women and also wrote the Prime Suspect series with Helen Mirren) gives us a strong female leader competing against the boys and holding her own. She just a tough and conniving as the guys and does quite a few shady and compromising things to keep her job. Some of her decisions are more than questionable -- like falling in love with a man she put in jail ten years before for murdering his girlfriend, or sleeping with the boyfriend of a woman who works for her-- but that's typical of La Plante's women.

Amanda Burton is fantastic. I also loved her in Silent Witness (a forensic CSI like show that ran on BBCA.) I guess I am a bit obsessed with British crime dramas that star women. They just seem to be so much better than ours.

If you have some downtown over the holidays and are looking for some good TV, check out The Commander. I got it on netflix. I can't wait until they release the next series here in the US.

Rod Lurie is one of the few guys who cares about writing really strong female characters. I fell in love with his complicated women back when Joan Allen played a hopeful vice-presidential candidate in The Contender. It continued through the too short TV show Commander in Chief that starred Geena Davis as the first female president of the United States.

In his latest film, Nothing But the Truth, a drama very loosely based on the Judith Miller going to jail to protect her source saga, Lurie again brings to the fore some seriously complicated women. Kate Beckinsale who shows acting skills here far beyond what has been demanded or frankly expected of her before, plays Rachel Armstrong an ambitious reporter at a Washington DC newspaper who blows the cover of a Valerie Plame like CIA operative. Vera Farmiga (one of the most interesting and versatile actresses around) plays the subject of the bombshell piece, a suburban mom/covert agent whose daughter just happens to be in the same class as Beckinsale's son.

The outing of Erica Van Doren has devastating consequences for both women in the workplace and at home, illuminating the struggle of working moms everywhere albeit a bit more complicated than usual. Beckinsale's Rachel is pressed to reveal her source and with her paper's backing, she refuses and is jailed. Her ongoing battle to get out of jail and keep her source protected takes up the second half of the film as Rachel becomes a pawn in the legal battles between the government and the press. Lately it seems that the press has been losing these battles. The film shows the personal toll on Rachel and her family.

Farmiga shows the fear and terror with subtlety when she is outed and in that scene you can see her brain working trying to figure out how to make the oncoming avalanche stop knowing full well that she can't. She then gets pissed not only for the fact that her career is now irrevocable changed, but also thinks about protecting her young daughter and her already disintegrating marriage. It's a mess for everyone and that's also what I like about Lurie's women. They're not perfect by any means. I don't need women onscreen to be perfect or above reproach, I like to see them as complicated and realistic and that's what Lurie gives us.

Check out the trailer:


Film opens in Limited release this week and wider in January.
Nothing but the Truth

A woman has NEVER been nominated for the best cinematography Oscar. While that sucks one of the reasons is that there are so few female cinematographers at the top. The percentage is actually worse than female directors.

According to Martha Lauzen's Celluloid Ceiling study, women make up only 2% of cinematographers on the top 250 grossing films (2007.)

Pathetic.

But it looks like this year we might break the jinx at least for a nomination. Both Maryse Alberti for The Wrestler and Mandy Walker for Australia are getting noticed for their work.

From a recent LA Times piece:

Alberti and Walker agree that gender has not affected their success, and, while women are rare in their field, their work has been judged on merit. Walker says that while "absolutely there would be something special" about being the first woman to win an Oscar for cinematography, she doesn't dwell on being in a male-dominated profession. "I actually never think about it until someone asks me the question," she says. "I just feel that I'm employed because I'm good at my job. I never took it on as a gender issue."

While Alberti concurs, she admits at the beginning of her career there was sometimes the question of, "Can the little lady handle the big lights?" But she quickly formed a pragmatic comeback that proves success as a DP is more about brains than brawn. "I had to say, 'The little lady doesn't carry the big lights,' " she recalls with a laugh. "She points and the big guys carry the lights."

A female cinematographer may vie for Oscar (LA Times)